We've been obsessed with T-Pain for a really, really long time. He's just… legitimate. I was having a great time with Epiphany literally from the moment he spelled and then defined the word in the first track, a practice I'd like to become an industry standard. But once I got to Time Machine, near the end of the record, that's when I got it. I could see the whole structure. And then, to have the new Netflix docuseries This Is Pop break it down further on the second episode - with actual shots of him burrowing through pirated software to recreate and then master a sound he'd heard… I've seen it. I watched Mike enter this same monastic funnel to figure out his thing. I remember when people were super surprised at his Tiny Desk concert, like, He Can Sing? When it's like… look. First of all, that's most of the people you listen to. Most of the time when people use Auto-Tune, you don't fucking know. Second, I don't think you get to the style he pioneered without that ability, the same way cartooning is rooted in an understanding of actual anatomy.
